Indiewood Screenwriting Fund

The Indiewood Screenwriting Fund (ISF) is designed to break down financial and systemic barriers faced by underrepresented and low-income screenwriters.

By offering direct financial support, mentorship opportunities, and community-focused initiatives, ISF strives to amplify new voices and foster a more inclusive industry. Through these efforts, the program empowers screenwriters to access opportunities, refine their craft, and connect with a broader creative network.

Application Window
Opening Date: February 25, 2025 9AM PST
Closing Date: Rolling (Determined by the selected competition) 

Program Goals

The Indiewood Screenwriting Fund (ISF) aims to offer opportunity to writers with financial hardship. By removing the financial obstacle of submitting to a screenplay competition, ISF offers writers a chance to compete from an equitable foundation.

While opportunity is our core focus, ISF believes in consistent support for our writers as it is through consistency that screenwriters flourish. Supported writers will also be offered personalized feedback, interactive workshops, and creative guidance from experienced mentors. To foster long-term connections, ISF seeks to build a sense of community through cohort-based collaboration, alumni networks, and partnerships with industry leaders. To foster long-term connections, ISF builds a sense of community through cohort-based collaboration, alumni networks, and partnerships with industry leaders.

Additionally, this program enhances visibility by organizing live script readings performed by professional talent, with opportunities to engage audiences both in-person and remotely. These initiatives collectively aim to support career development and elevate a diverse group of voices in screenwriting.

Educational sessions and workshops will commence in late June and conclude in early October, providing participants with a structured timeline creative script development, for mentorship, career-focused seminarssupport, and networking opportunities. Writers accepted supported by into ISF must make themselves available for these sessions, as participation in workshops, 1-on-1 mentor meetings, and cohort-based events is essential to gaining the full benefit of the program.

Program Offerings

Financial Assistance: ISF will typically grant one award per accepted project,  covering the early-bird or regular entry fee for one major screenplay competition.

Cohort Model & Networking: Participants will join a cohort of approximately 10 screenwriters, creating a collaborative environment for shared learning and support. ISF will host a dedicated introductory session in late June at the start of the program. This session will provide a foundation for building relationships, exchanging script feedback, and maximizing the program’s benefits through peer collaboration.

Seminars and Workshops: ISF will host a minimum of three group seminars focused on screenwriting craft and career development (rather than individual script feedback). 

Access to Industry Mentors: Each selected screenwriter receives at least one personalized 1-on-1 session with an industry mentor. This session can be used as a career guidance meeting or a Q&A session tailored to the writer’s professional goals.

Live Script Readings: Screenwriters in the program who advance to the semi-final or final rounds of screenplay competitions will have their scripts read by talent at the CFA Studio. These readings will be performed in front of a live audience. ISF handles casting, audience invitations, and event management. For those outside Los Angeles, the readings will be live-streamed, ensuring accessibility for all participants, regardless of location.

Key Screenwriting Competition Deadlines,
ISF Application Close Dates & Notification Dates

Academy Nicholl Fellowships
(
Official Competition Dates TBA)

ISF Application Closes:
April 1, 2025

ISF Notification Date:
April 15, 2025

Competition Submission Deadline:
May 1, 2025

Austin Film Festival

ISF Application Closes:
April 1, 2025

ISF Notification Date:
April 15, 2025

Competition Submission Deadline:
Early Bird Deadline: March 25, 2025
Regular Deadline: April 22, 2025

Slamdance Screenplay Competition
(
Official Competition Dates TBA)

ISF Application Closes:
April 1, 2025

ISF Notification Date:
April 15, 2025

Competition Submission Deadline:
Early Deadline - April 24, 2025
Regular Deadline - June 15, 2025

Final Draft Big Break Contest

ISF Application Closes:
May 16, 2025

ISF Notification Date:
May 30, 2025

Competition Submission Deadline: Early Bird Deadline: April 11, 2025
Regular Deadline: May 19, 2025

To ensure ample time for submission preparation, ISF application windows will close before the competition deadlines, with notifications sent two weeks after the ISF application closes for that specific competition window.

Submission Requirements

Applicants must submit:

One feature screenplay or TV pilot

Completed application form, including written essay responses

ELIGIBILITY REQUIREMENTS

Writers from underrepresented communities, including but are not limited to:

 - BIPOC

 - LGBTQIA+

 - Writers with Disabilities

 - Low-Income Applicants

Submission of one completed feature screenplay or TV pilot.

Commitment to career development outlined in a short essay.

Applicants must be at least 21 years of age at the time of application.

The fund is open to U.S. residents provided they meet all other eligibility criteria.

Applicants are responsible for reviewing the ISF Program Page for updated application dates, deadlines, and announcements regarding program openings.

Unsuccessful applicants may not reapply with the same script in future cycles, but they are welcome to submit new material that meets the eligibility criteria.

Application Requirements

PERSONAL INFORMATION

Full Name 

Email Address 

Phone Number

Mailing Address

Gender (Optional)

Ethnicity (Optional)

Pronouns (Optional)

Short Biography

Headshot

SCREENPLAY SUBMISSION

Title

Logline (50 words max)

Synopsis (500 words max)

Upload (PDF format)

ESSAY SUBMISSION

What does screenwriting mean to you?
(250 words minimum, 500 words maximum)

How has writing helped you overcome obstacles? 
(250 words minimum, 500 words maximum)

What do you hope to achieve in screenwriting? 
(250 words minimum, 500 words maximum)

Share a story that positively impacted you. 
(250 words minimum, 500 words maximum)

Explain financial need and reasons for support.
(200 words minimum)

COMPETITION SELECTION

Select one eligible competition for financial support:

  • Austin Film Festival

  • Academy Nicholl Fellowships

  • Slamdance Competition

  • Final Draft Big Break Contest

Review Process

Evaluation Criteria

Applications will be reviewed by the program director and guest mentors based on:

  • Quality of writing

  • Uniqueness of story

  • Authenticity of personal essay

  • Alignment with ISF’s mission

  • Commitment to program participation

Grounds for Ineligibility

Screenwriters with existing industry representation (e.g., agents or managers) are not eligible.

Writers or scripts that have already reached finalist status in any of the covered competitions.

Scripts that have already been entered into any rounds of competition covered by this fund.

Scripts that have been optioned, sold, or are currently in production.

Screenwriters or scripts that have already received funding or grants from other screenwriting programs or organizations.

Scripts that contain plagiarized material or intellectual property conflicts, including unauthorized adaptations of existing works.

Scripts with more than two credited co-writers or where the submitting writer does not hold majority ownership of the script.

Scripts that are not submitted in English (or the designated language for the competition) are not eligible.

Scripts must adhere to the individual guidelines set forth by each screenplay competition included in this program.

Scripts generated entirely or partially by artificial intelligence (AI) tools.

OUTCOME REPORTING

To support ISF’s mission of fostering a more inclusive screenwriting community, program participants will be required to provide a brief one page, double spaced progress report (Times New Roman, 12pt font) at the conclusion of the program. 

This report should include:

  • Competition Outcomes: Details on how the awarded funds and program support impacted their submissions and competition results.

  • Personal Growth: Insights into how the mentorship sessions, workshops, and cohort participation contributed to their professional development.

  • Future Goals: An outline of next steps in their screenwriting journey inspired by the program experience.

For questions or additional information, please contact the ISF team at isf@cinematographyforactors.com.

Program Director: Yaroslav Altunin

Yaroslav Altunin is a Russian-born, Seattle-bred, bilingual screenwriter and director who explores themes of generational trauma and unrequited love through genre — whether it be action-packed thrillers or grounded science fiction. His work is heavily inspired by 20th-century sci-fi, his childhood as a ballet dancer, and his upbringing during the fall of communism in the Soviet Union.

As co-creator and host of the INDIEWOOD Podcast, he brings together indie filmmakers to explore the craft of independent films and the many hats creatives have to wear to get those films made. 

He is also the program director of the INDIEWOOD Screenwriting Fund (ISF), a program created to help underrepresented and low-income writers submit to top-tier screenplay competitions and foster a community to help them grow as creatives. Without worrying about the barrier of admission costs, screenwriters from all over can now focus on showcasing their creative work first.

Yaroslav wrote the screenplay, ABSENCE OF COURAGE, which won the UCLA Screenwriters Showcase, placed Top 20% in the Nicholl Fellowship, and was the top script on The Hit List before landing a shopping agreement with Silver Pictures. His screenplay, TO MARS, was a finalist at the 2021 Austin Film Festival for their screenplay competition and a Second Rounder in the 2021 Launch Pad Feature Competition. 

Yaroslav co-wrote and directed the web series STUPID CUPID, which was awarded the very first NYFA/MOME Grant. It premiered at Dances With Films and won international accolades for Best Director, Best Web Series, and Best Screenplay. Stupid Cupid was broadcast on Emmy award-winning TV channel NYC Media and is currently distributed by Reel Women’s Network. Yaroslav is currently working on developing feature films with international producers and a comic book publisher.